If you love ‘classic’ Genesis, then this track-by-track commentary by Steve Hackett will give you chills

‘Genesis Revisited 2’ is Hackett’s second album reinterpreting the music of his youth.  It comes out in late October and boasts a slew of special guests.

Here’s what Steve has to say about ‘Fly on a Windshield’ from The Lamb Lies Down on Broadway:

Influences in this powerful piece range from Ravel to Hendrix, with the ramming speed of Ben Hur along with echoes of the Egyptian pyramids, all brought to life under the watchful towers of New York. A wall of sound meets the wall of death. In this new version the guitar sometimes screams like slaves under the whip.

 

And on ‘Dancing With The Moonlit Knight’:

This is possibly my favourite Genesis song, with influences ranging from Scottish plainsong to fusion… Elgar meets Brave new World. It epitomises the character and magic of early Genesis. It features tapping, nylon and twelve strings. Jeremy Stacey’s drums give this version even more precision. The “Disney” section at the end has an English pastoral hypnotic feel – a thread to the world of Spencer’s Fairy Queen – a small corner of England remaining while the rest is sold off as a job lot plunging headlong into an alienated future. In this version I started this piece with the beginning of Greensleeves to give a sense of the old English thread and the poignancy of the song, which Francis Dunnery’s sensitive vocal also expresses.

Read the rest of Steve’s commentary at his website.