Wind ’em up and and watch ’em go!

I’m like a dog – I need my routine. I need tasks. Tell me what to do and let me do it regularly. there is great comfort in the predictability of routine.
Of course, that routine now means trying two cases next week, but, you know what? I can’t wait. I know the cases. I’ve got good judges. The clients are on board and we’re going to really have at it. The garbage truck case starts Monday and the grandfather-crossing-the-street-case will kick off with jury selection a week from today.

The subpoenas are being served, the shirts and suits are back from the dry cleaners and we are ready to go!!

‘No See’ – how about that organ solo?!?

The Axiom 25 strikes again on this latest incarnation of the evolving ‘No See’. At 2:20, it’s almost respectable, although there’s been a lot of copying and pasting. It seems like I’m trying to incorporate everything I like in open composition. In this latest version you’ll hear some dumbed down Tony Banks arpeggios and a mini organ solo that was inspired by listing to too much old Traffic. I need to do more with drums and that means figuring out Reason one day. This weekend I’ll try to get more going with the guitar.

Here’s what I have so far.

Baseball = Steroids

We’re big baseball fans at our house, so this constant talk of the corruption and drug abuse in the game is depressing. On the other hand, how cool is it that there’s wall-to-wall baseball coverage all over sports talk radio and the web? Here are two excellent articles. The first is by Sam Donnellon of the Daily News. He’s calling out Fehr and Orza for taking the union too far.

The second article is a rant from a great Phillies comedy blog called The Fightins. I certainly don’t agree with everything in this essay, but if you want a rant with bile, invective and profanity, you will find nothing better. You can almost see the spittle on the keyboard!

Mpomy and Guitar Rig Session

That’s not my guitar, but its very similar to the instrument that was used to create this 2 minute jam (Notice the Funk 49 reference at the beginning – not intentional). More important than the guitar, however, is the fact that this represents a good solution. After work, basically no time to work on composing, but I had a real need to rock out. So, I just hooked up to Guitar Rig and ran that, not as a plug-in, but rather as a stand-alone. It’s got a recorder that let me get down some ideas very quickly. I wouldn’t try to merge these into a Logic project, but at least the ideas have been taken down quickly and cleanly. I also have to compliment the folks at Native Instruments who made the guitar sound pretty realistic.

This what it sounds like.

PlayPlay

Mpomy Music – ‘No See’ (first draft)

I’m pleased to be getting a little more facile with Logic 8. This 50 second fragment was constructed over the weekend, and I think it has some promise for inclusion with other parts. I started with a template just to get some instruments on the page. I picked some loops for the drums, and it still feels like cheating. Ironically, the worst of it is the guitar part – which is replete with wrong notes and out-of-tune strings. I played this for The Lovely Emily, and she gave me some great tips, which are incorporated into this draft. Also, I was able to do some finishing when the computer wasn’t hooked up to all the hardware. The Axiom 25 and the Guitar Rig Session I/O are small enough, but I’m not usually carrying that stuff around with me. Now I see that I can edit anywhere I have my computer.

Anyway, here’s the song – ‘No See’

George Carlin – Twain Prize Recipient

I watched this on PBS last night and it was brilliant. I saw some of those old HBO specials when he was breaking that ground and the guy’s schtick really got to me. I was, maybe, 11 or 12. I didn’t know, at the time, that no one had done cable stand-up before. He broke that ground. Then you learn that he always broke ground, with what he said and how he said it. Then watching last night, as the late genius was honored by those he influenced, I began to realize a bit more about the depth of his ability. When I was a teenager, I wasn’t really thinking about the two hours of material he simply memorized. I didn’t thank about the research and preparation that made his show look so spontaneous and demented. He actually reminds me of Zappa a bit, with his anti-establishment attitutde, his grouchy demeanor, and his other-worldly talent. Here’s the bit we learned about in law school:

THE HOLD STEADY – Brooklyn’s Finest!

This band is so good, I don’t even know what to say. the Hold Steady is four records into a pretty nice rock career and Craig Finn’s lyrics and singing are a blast of fresh air for those of us who think, maybe, Bruce Springsteen has lost a bit of his edge over the past five or six records. They were recently featured on the NPR program ‘Sound Opinions‘ and I’ve uploaded the particular show to mpomy.com, since I don’t know how long the stuff will be archived. Here is the link. As an acoustic outfit, they’re compelling. As an electric band they are quick karate chop that splinters everything about modern rock and its holier-than-thou attitude. I urge you to make that trip to Ygor City, shake hands with Sal Paradise and all the other freaks and misfits that inhabit this world. you will not be disappointed.

Battlestar – The Beginning Of The End

Here is a great article from Heather Havrilesky at Salon.com. She’s been watching and writing about Battlestar since the ‘re-imagined’ came on the air a few years ago. As the series winds down, Heather’s got some questions, especially about the character Dee, that need to be answered.

I pretty much agree with Havrilesky – especially about OLD GENESIS!!! (but, come on, Heather, everyone?)

The question for me is always the same – how much did I enjoy this episode? The answer in this case was – not so much. It didn’t move me (as past episodes have done), it didn’t connect with any raw emotion whatsoever. I think that’s one of the problems with melodrama: everything gets watered down.

Like the rag-tag fugitive fleet, I have hope for the future. But, as we await the final 9 episodes, there are a few observations I can make with some certainty, though perhaps no proof.

There was no plan. I don’t care what the show runner says on his blog or in Q&A at ComicCon. There was no plan. There was never a plan. Any plan you learn about from here on is a plan made up to wrap up the thing they used to say at the beginning of every episode. It won’t be a plan that’s been in the works since the beginning. Nope. No plan.

In my business, bad actors are subject to liability. But note Havrilesky’s observation about the force of the story overcoming the occasional bad performance. Sometimes not so occasional. Also, in what must be an annoying turn of events for the people trying to make this show, different actors have had hot streaks at different times. I think we’ve seen a downturn in the intensity that Katie Sakhoff has brought in the last two seasons. She got hugely popular (with the ComiCon crowd) and started to look down the road. Terminator series? Not good. Another example is the Jamie Bamber experiment. After a near-death experience, it looks like Apollo is going to get some meaty psych-drama material for Bamber to sink his teath into. Despite the huge set-up, Bamber came up short. Then he got fat, then he got with Dee, then he lost weight and now he seems to be a non-entity.

Olmos is great, but he’s not going to carry the rest of this ensemble. Mary McDonald is tremendous, and I continue to think she will be the show’s savior as she leads everyone to the promised land that she can not enter. THAT prophecy IS coming true (with Helfer and Callis’s help, please).

And so we come to Laura Saltman. She’s saying she’s known that she’s the 5th cylon (or 12th, if you like) for TWO years. Ladies and gentlemen of the jury, I submit to you that the witness is a liar! But it is for you to judge. Here’s the thing: her death scene is one of the most outrageous moments in television. And the way Michael Hogan successfully incorporated the act of wife-i-cide into his character for the next season or two (till he found out he was a cylon) didn’t hurt. Of all the crazy shit this show has pulled, the arc of Saul and Ellen is the most consistently effective. Man and wife. Both deeply flawed. Very much in love. Want to kill each other.

When I survey the landscape of what this show has to offer, and from that assessment, attempt to determine what might be the strongest way to close the program, I think Ellen (and, undoubtedly, Saul) is an fantastic place to start. My understanding of the approach for these last 9 episodes (this comes form the Saltman interview) is that there will be BIG revelations every week – we will learn things, major characters will die, etc. You may not be looking forward to that approach, you may wish it was going to be different, but it’s not. It’s going to be like that. So this first (and highly mediocre) episode is, hopefully, a springboard that gives us a more measured approach. Each of the episodes can now unfold as a single piece of drama. Everything is so disjointed after this first episode that it doesn’t really matter if the final episodes interlock perfectly.

The most important thing, more important than putting a bow on it, more important than making it all make sense, more important that sorting it all out and answering all your questions – The most important thing is that it’s good TV. I’m going to ask the same question nine more times. If these people are doing their job right and go with the best of everything they’ve got right now, then the answer will be ‘a lot more than the last one’ each time.