First of all, it shouldn’t be called GoogleMe, it should be called GoogleUs

Or GoogleWe, if the “Us” might get confused with U.S., thus making the product/platform seem a bit too American.

Now then, what the fuck am I doing up at 4:18AM dreaming about Google’s Facebook competitor? I can’t even blame this one on the dog.  She is blissfully passed out at the foot of the bed.  No, this one us all me.

Anyway, Google should not have let Apple get hold of Lala.   That platform had such amazing, untapped potential.  Now it’s just dead.   I continue to be amazed at how people can stare at Blip.fm all day.  Google could have had their social network built around music and modeled after Blip, if they had only grabbed Lala.  As far as I know, Google wasn’t even interested.

And now, with GoogleMe (whatever that is), they will invariably bite off more than they can chew by trying to catch up too much ground all at once.  Sad, really.   Oh well, I guess they can afford another failure.

Here’s what I would do.

Start with Gmail.  Everyone (almost) already has an account and contacts (potential friends).  Next, make it a completely separated interface.   One of Buzz’s great failure us that us showed up in EVERYONE’S Gmail, whether they wanted it or not.

This new thingy should be more like Google Analytics, a product comparatively few Gmail account holders actually possess, but one that they all have access to via their Gmail account.

So, first question, “Do you want to join GoogleUs?”   And your gmail address us already in the box; just enter your password and we’ll get started.

Next, “Here are your Google Contacts.  Who among these contacts do you want to add to your GoogleUs?”.  Check ’em off and send ’em invites. If they are already on GoogleUs, it’s friend request.  Next.

This is where it gets tricky, but also fun. Right now, the name of the game is games. But instead of Farmville or Mafia Wars, GoogleUs will give you the chance to immediately dive into a Blip-like environment.  And not just with music.  At the outset, there should be a separate “neighborhood” for a few broad interests: music, sports, travel, literature, comics, movies, etc.  And, to get things rolling, Google should not start too big.  My strategy would be to purchase Blip.fm and Flixster right off the bat and use those good, existing platforms to begin the project.

I find the movies aspect especially exciting.  We already know how the Blip architecture works for music: listen to a song (blip it), find others who have blipped that song, become “friends” exchange “props”, win badges, tweet blips, etc. etc.

With movies, you can’t watch the entire feature, but with the power of YouTube already under Google’s tent, friends could exchange scenes and trailers which are already available.  Then, based on an exchange of props, users win badges and are entitled to other perks.

Picture this same, community-building, yet quasi-competitive, model spread across numerous genres, enthusiasm and pursuits.  Yardbarker sort of has this set up for sports.  Epicurious has a lot of data for food.

Another thought is a neighborhood called “reunion” or some stupid shit like that.  Google Reunion would be the real answer to Facebook – specifically a place to connect where family and friends and just do all the inane stuff people do on Facebook.  This is where you could enter as much or little information about yourself and Google will help you find, and be found by, your long lost relations (whoopee).

All these neighborhoods are then oriented around a user’s central hub.  For each friend, the user will choose which neighborhood feeds from which friends will show up in the timeline of the central hub.  For example: Say old Uncle Mpomy is really into prog rock, like crazy into it.  You don’t want to see that.  So don’t check Mpomy’s “music” feed.  But he is, after all, your uncle, and when he posts pictures of his basset hound, well, you would like to see that.  That’s the friends & family feed.  So that one gets a check.  And if you’re both Phillies fans, then you check the sports feed also.  All that will then appear in your central hub.

So, of course none of this is going to happen.  Google is a company of engineers and they know better than to listen to someone who uses social media about what a social network should look like.  I only dreamed this thing up because it’s how I would like all my stuff integrated.  But none of that matters to Google.  Wave was a brilliant piece if engineering, but it was an horrendous application.  No one knew what to do with it.  No matter how amazing the application, if it doesn’t do anything (fun), then it will not be successful.

Drew Olanoff got it right when he said that Facebook is not a website, it’s an OS.  Google should start at the end, like the trial lawyers who start with their closing arguments.  What do people want to do?  What’s fun?  What websites and apps do people become drawn into and can’t stop looking at?  Once they answer those questions, they need to build a platform that will run those answers, in integrated harmony.  There is no way it’s going to happen, but I think it would be nice.

H. P. Lovecraft: there was definitely something VERY wrong with that dude

After coming at the thing from the wrong direction, like looking through binoculars backwards, I have finally digested a few of Lovecraft’s stories. I can think of no other single author who has exerted such profound influence on so many works of film and literature that I hold dear.

So now I finally have an appropriate anthology at my bedside (paper, not electronic), and I begin to understand why Neil Gaiman, Alan Moore, John Carpenter and so many others hold this obscure author from Providence, RI in such high esteem. And it would please me to discuss with each of you the infinite dread this man contemplated, the way in which he saw human existence as among the most insignificant phenomena in the universe, and the way we are all saved by our inability to conceive of the greater chaos and darkness that lurks just out of sight, waiting to swallow us whole for no reason whatsoever. It is truly chilling.

But even after the briefest examination of Lovecraft’s few published works, there is another, equally nauseating aspect of his writing which all to readily asserts itself. It is one thing for an author to possess certain traits that I find disagreeable. I need not share identical political, social or religious views with any artist whose work I admire. But here, the problem is that the ignorance, the hatred, the racism, the anti-semitism is all right there in the work. And it too is horrifying.

What do we make if all this? How much can we ignore or forgive or explain away? I look forward to delving into the learned discussions to see what the scholars suggest. But, for now, I am baffled.

How about a little #FrankFriday?

Thanks to Kill Ugly Radio, we have the entire broadcast of the Swedish TV show Spotlight featuring Frank and the Mothers in 1971:

While in Stockholm, Sweden on December 4th, 1971 during a short European tour, Frank Zappa and The Mothers appeared on the Swedish TV show entitled “Spotlight“. The 34 minute broadcast had interviews with Zappamingled with music clips from 200 Motels [“This Won’t Take Long”, “The Final Solution”, “Centerville”] and included performances of “The Air”, “Dog Breath”, “Mother People”, “You Didn’t Try To Call Me”, “King Kong”, and “Who Are The Brain Police?” from Palais Gaumont, Paris, France on December 15th, 1970.

New Music Alert!!

More details coming tomorrow, but today I got notice on (evil evil) Facebook that Mr. Tom Jenkinson, the inimitable Squarepusher, will have a new album on a new label THIS MONTH. This is incredibly exciting since the artist had been on Warp for ages. His sound wasn’t stale by any means, but I sensed a lack of excitement at the label on the last two releases. Today’s announcement is striking because it is accompanied by a single, which I’ll post tomorrow, and because the record will be in our hands before we know it.

Many moons ago there had been a rumor of collaboration between Squarepusher and Eno, which sounds mind-blowing in a cross generational way. Within the past week it was revealed that Eno will release an album of edited jams with himself, a guitar player and a drummer. I’ll post more on this tomorrow as well. While such a project is extremely exciting on it’s own (apparently recorded over several years of jamming), of note is that it will be released on Warp. That news briefly reawakened hope of a Squarepusher Eno project, but with the former moving on, I think it’s less likely. I, for one, will be perfectly satisfied with new music from each, even if not on the same record.

Finally, the Paul Gilbert album “Fuzz Universe” came out in the U.S. today, and I’ll be on iTunes bright and early to get my copy of shredding, shredding, and more shredding. Looking forward to reporting on that soon after.

In the meantime, don’t forget to check out the Progscape Podcast, which is new every Tuesday. That means you can download it at the Progscape page or from iTunes right now. I’m looking forward to seeing what treats Mike has picked for us this week.

Celebrate Life With Music – Podcast No. 1

The idea is to take no more than 1/2 hour of your time and present you with four or five songs that have been on my mind, for whatever reason.  With the blog entry, I will tell you what I was thinking in presenting these songs in this order.  As always, you are free to comment and discuss.  In addition, I ask that you contact me privately if you would like information on how to obtain any of these selections or the albums from which they are drawn.

You can download the podcast here, or stream it using the audio player below.

  1. Tangerine Dream – Bondy Parade (5:20) from the Tangerine Tree bootleg series (#37).  This recording is from a live performance in Sydney in 1982.  Despite Tangerine Dream’s reputation as being “new age” or “head music” (what is that?), I find this excerpt to be a funky little groove.  The guitar solo is a bit tentative, but this gives an excellent flavor of how the band had shifted from improvisational to a more song-oriented approach.
  2. SBB – Walkin’ Round The Autumn Town (4:00) from Live in Koln 1979.  This is a great instrumental intro that shows how SBB, usually considered more of a jazz fusion act, really used groove-style improvisation that seems to go well with the Tangerine Dream track.  Skzerk’s keyboard solo reminds me why I have such deep and abiding love for analog synthesizers.
  3. Black Bonzo – Sudden Changer (4:30) from Operation Manual: The Guillotine Model Drama 2009.  This band came into my life from a recommendation on the internet.  I have only corresponded with this person online, but there was such strong musical affinity to begin with that I dove into Black Bonzo and was hooked right away.  As a contrast from the previous twi tracks, this includes a vocal performance and, while decidedly prog, this has very strong rock elements.  Black Bonzo does so many things so well.
  4. Spock’s Beard – The Gypsy (7:30) from Day for Night 1999.  This make a nice match for Sudden Changer, despite being ten years older.  Spock’s Beard, even today, reminds us that we shouldn’t leave the “rock” out of prog rock.  There are so many beloved Spock’s Beard songs, this is an often overlooked gem from the height of the Neal Morse era.

Thank you for listening.

CLWM – Celebrate Life With Music

Got lucky! Saw Crowded House in Atlantic City

Atlantic City is quite close to my home, but my only business there is at the Courthouse.  I have no interest in gambling, and there are few rock and roll shows there that I absolutely must see.  But, one of the great benefits of life with my beautiful wife has been the way in which she has educated about music, music I would never have learned about on my own.

Neil Finn and Crowded House very much fit into this category.  Ironically, before I ever met Emily, I knew that Crowded House was something to learn more about, as it had been praised by no less than Tony Banks as one of his favorite bands in the 90’s.  It’s not hard to understand why.  Crowded House and its diminutive frontman are proof that you can have catchy, “pop” music that is intelligent, features heartfelt lyrics, and is underscored by superb musicianship.  Emily and I have been to numerous of these concerts (Neil Finn solo and Crowded House), and it’s a musical product which does not cease to delight.  So, last Saturday we met Em’s sister in the cesspool by the sea, and enjoyed a wonderful show.  Here are the pictures, and for you hard-core types (I know you’re out there) the setlist.

Mean to Me
Saturday Sun
Private Universe
Fall At Your Feet
Don’t Stop Now
Amsterdam
Nails in My Feet
Not the Girl You Think You Are
Whispers & Moans
Twice if You’re Lucky
Now We’re Getting Somewhere
Don’t Dream Its Over
She Called Up
Archer’s Arrow
Isolation
World Where You Live
She Goes On
Weather With You
Its Only Natural
You Are the One
Time Immemorial
Falling Dove
Better Be Home Soon

If you’re keeping track, that’s about two and a half hours of music.

I don’t make the #f1 rules, but Ferrari doesn’t follow them

Felipe Massa, who did not want to win the German Grand Prix on Sunday

It’s really very simple – no team orders.  For those of you who don’t follow Formula 1 racing, but care enough to have read this far, here is the simple version.  This is individual competition.  Yes, each team has two drivers, but they are intended to compete against one another.  This is especially important for the audience, as we get to see what a driver is really made of when he goes wheel-to-wheel against his teammate in an identical vehicle.  Yes, there is a “constructor’s championship” which means the team with the most points, but the true glory is the driver’s championship.  That is where the beautiful dance of man and machine comes together to form the poetry that is F1.

The problem arises when a team with one driver ahead in the points has it’s other driver ahead in the race.  “Team orders” refers to the race-leading driver giving way to the points-leading driver in order to give that particular team the best chance of winning the driver’s championship.

It’s been an interesting year Ferrari.  After being historically dominant between 1999 and 2004 (winning every constructor championship and 5 out of 6 driver championship with Michael Schumacher), the prancing hoarse had not much pace in 2009.  This year, the results have been mixed with the team ending up on the podium only three times up until the German Grand Prix this past weekend.  But going into Hockenheim, there was every indication that drivers Massa and Alonso would have fast cars to compete with Red Bull and McLaren.  Those reports proved true with the cars qualifying 2 and 3 behind Sebatian Vettel’s Red Bull on pole.

Felipe Massa is an incredibly gifted young driver from Brazil.  He carries the weight of millions of Ayrton Senna fans from his homeland who live and breath the sport to honor the departed hero.  He got ahead of his teammate, two-time world champion Fernando Alonso and made his way to a comfortable, as passing can be quite difficult in this sport unless someone makes a significant error.  Massa is not prone to such errors.  And yet, with 21 laps remaining in the 67 lap race, he received a notification that the 2d place Alonso’s car was faster (an outright lie as fuel and set-up were, for all intents and purposes identical) and that he should let the Spaniard pass.  Massa dutifully got out of the way and Alonso drove on to the checkered flag.  For this flagrant violation, Ferrari has been fined $100,000, but with no loss of points for either driver or team.

I agree with the rules to the extent that I want to see if Massa is strong enough to hold off a VERY determined Alonso.  I see that it’s much better for Ferrari’s hopes of getting the greatest benefit in both the constructor’s and driver’s championships, but that does not take away from the shameful way that the team ignores the rules.  That’s blatant arrogance, and this is not the first time.  The fans deserve to see the drivers race.

Progtastic news from Poland – new SBB record Autumn 2010!!

Józef Skrzek is one of “those” guys.  He’s working on a whole different level than most of humanity.  For about the past forty years he has been doing all his own stunts, writing, performing and even singing once in a while.  Skrzek is one of those guys who was going to be famous no matter what.  The force of energy contained within him is simply too great not to be shared.  Not even the Iron Curtain could hold him back.  And, as the leader of legendary Progressive giants S.B.B., he has elevated his status to that of Robert Fripp, Christian Vander of Magma and perhaps even Zappa himself.  SBB’s influence may seem less than that of those legends, but the output is nothing short of prodigious, including over 50 official releases.  The next one is tentatively titled Blue Trans, and is slated for an Autumn release through Metal Mind.

Here’s a small example of the Tangerine Dream meets Steely Dan vibe that Skrzek favored in the late 70’s:

If you ignore them, they won’t go away, they’ll take over

I am so sick of Sarah Palin.  She is a dimwitted fool who holds no political office.  She is a racist, a bigot and completely insulting to those feminists who actually know what that term means.  I have often thought, with regard to the excessive piling on that the left does at Ms. Palin’s expense, why bother?  Why give her any more attention?  That’s exactly what she wants.  Just don’t pay any attention to her and that will be the end of it.

But one could say the same thing about Facebook – why complain?  You don’t like it, just leave it alone.  But if you follow me on Facebook or Twitter, then you know that I’m not inclined to leave it alone.  There are too many people on Facebook.  It has achieved a firm foothold, like a tick that is dug in deep, and ignoring it can lead to dire consequences.

After the absurdity of Ms. Palin’s own tweets over the past few days, I feel that the same is true.  We ignore her and her ignorance at our peril.  These two pearls confirm it.  Talkingpointsmemo has the complete analysis, but the two key points are that (1) any Muslim who wants the mosque near ground zero is not peaceful, and (2) refudiate is obviously not a word.  Whoever among her handlers that is allowing this woman to use twitter should be fired.  But, like any experienced tweeter, Palin deleted the above, but rather than admit she did anything wrong, we got the following.

I want to know which works of Shakespeare this woman has read, that she would compare herself to the greatest writer the English language has yet known.  And please, gentle ex-governor, do tell which words the bard made up, so that we might learn from you ample knowledge.

But when I read about young Ryan Murdough, running for political office in New Hampshire, I realize there is good reason to worry about ignorance and hatred.  If there is no effort to make note of these frightening politicians, their influence will spread unchecked.

So, on I rant.