Just go look at this guy’s renderings. Just go. Go look – NOW.
Author Archives: mpomy
Via @QuietEarthUS – the more Ray Winstone, the more better
‘Tracker’ is a film from New Zealand that not only has one of my favorite actors of all time, but also stunning visuals and photography and a simple story of a bounty hunter and a Maori fugitive falsely accused. The trailer is below, but may get pulled shortly. Read more at QuietEarth!
The Watch – TIMELESS
Stunning cover art and lots of new music. The samples sound great and I am SOOO pumped!
In a holding pattern…
Trial was scheduled to start today. I’ve got nine witnesses in my case, so it’s a pretty big deal for me – could take as long as two weeks and I’ve got over $1.5 million in lost wages to show the jury. Also, a significant sum has been offered, but it’s not enough.
New Jersey trial courts are extremely congenial and the Judges and their staff are terrific to work with. One problem is that the state has had to cut down on the number of judges, so cases have to wait to be tried.
On the one hand, I could get all grumpy about spending so many hours last week and all weekend getting it ready and being mentally prepared to get the show on the road today. That being said, that’s just not how my job works. So, whenever I get the call, whether it’s tomorrow or next month – I’ll just tighten everything up, call my witnesses and go do what I do.
John Carpenter – The Ward
To watch more, visit www.t5m.com
I feel like this project has been around for a long time and I’m glad it’s finally done, but this trailer makes it look WAY too mainstream. That being said, his recent effort for the Masters of Horror series “Cigarette Burns” was so good, I have no doubt that he’s still got it. I’ll be there.
The Ladies vs. Frank Zappa (via @killuglyradio)
If you have any interest in Frank Zappa, Kill Ugly Radio is a great resource for news, information and gems like this – young female musicians attacking and conquering The Black Page – easily one of the hardest Zappa drum parts in the entire repertoire.
Here’s Heather Thomas with the Washington University Percussion Ensemble:
And Lucy Landymore with a solo performance and some interview footage:
Check out the whole post (with more video) at Kill Ugly Radio.
No, really that’s fine – I didn’t want any of you to tell me about @MarnieStern anyway
Because, you know, when I have to find out about new music from the New Yorker, then I finally get a chance to realize how FUCKING PATHETIC I am. Fortunately, good music doesn’t give a rat’s ass.
Shutter Island – why do I waste my time with such garbage?
When was the last time you watched a movie for over an hour-and-a-half and then just bailed out on the last 40 minutes because you didn’t give a shit and life is to damn short? At least this way, I didn’t have a problem with the ending – because I didn’t watch. There is NO ending that could redeem such a bland, uninteresting, boring and foolish piece of filmmaking. I just didn’t care.
‘From Beyond’ which I watched earlier in the day, was so good, it kinda makes up for the unfortunate (and now incomplete) nightcap.
The 12 Days of Progmas?! Thanks, @snidegrrl
Pure, wonderful silliness.
Why the Spider Man musical works for me IN THEORY
A good comic book or graphic novel is a phenomenal work of art. It can be literary, subversive, disturbing, titillating, all while being potentially very accessible.
The idea of taking a great comic book and presenting it in real-time, such that the audience experiences the visual presentation freed from the confines of a small page – that’s an idea that CAN work. Usually this comes about as a movie adaptation.
Music, especially rock music, has a great ability to enhance emotion and communicate drama in extreme measures. A real-time presentation of a comic book or graphic novel cries out for an ambitious musical component.
Performance, true performance, happens on a stage and has always been 3-D. True performance places musicians and actors in the same physical space as the audience. True performance does not get to rely on computer editing, or special effects animation. True performance provides a more direct experience to the audience.
I believe that a project which combines all of these values is not impossible. I believe there are risks that ‘The Theater’ has expectations and baggage which will necessarily detract from and harm this project. Even without worrying about a schmaltzification, the project may literally collapse under the weight of it’s own ambitiousness.
And yet, I understand why it should be attempted.