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In recent weeks, I’ve committed myself to utilizing the various composition tools at my disposal, especially this computer. So I’ve been mucking about a lot in an effort to basically duplicate the experience I had with iMovie. While that has worked out well, I’m not satisfied with the limitations of the software. Having to go to the previous version to create clips with video manipulation and different speeds has been a chore, even though it has added more visual options. However, when push comes to shove, I would gladly give up the visual spfx and just enjoy the simplicity and effectiveness of the new program’s interface. In a way, that’s the most important feature of all, and not all those bells and whistles.<\/p>\n
So this brings me to the Native Instruments I\/O box and the midi controller for software instruments, and now it’s all about GarageBand. Lots of tracks, beautiful interface, loops galore for all instruments and voice. It’s plenty of bells and whistles with a (now that I got the hardware interfaces) friendly and inviting interface. I’m getting pretty comfortable pretty quickly, but I still haven’t done a ‘mic’d up recording’. That will have to wait till I address the issue of getting started.<\/p>\n
So the options put me in mind of a complex dance. I can let the machine lead me, more so than in a long time when I just recorded to four track live with a drum pattern generated by a Zoom multi-effects pedal. Now, I can sequence directly, but it’s clumsy. The software is really encouraging loop development and provides numerous grooves, tempos, kits, fills, and everything else you could hope for.<\/p>\n
My most successful compositions have been developed so that they would sound full and complete, even if only played by a single, six-string guitar. No effects, no amp, perhaps no pick. That, to me, was the DNA of a composition. I could then layer, overdub and jam at will.<\/p>\n
Another decision is whether to begin with something (simple) and new, or try to create, from the ground up, a performance of a song for which I’ve (basically) decoded that musical DNA. I have started that process already, just to have a canvas from which to work. I’m bothered by having to hunt and hunt for exactly the right rhythm part for songs that I’m already acquainted with. I’m guessing that hunting will go easier when I’m doing that while conjuring a new composition. There are a few contenders for this, but so far nothing I’ve played while plugged into the I\/O box.<\/p>\n
And then there’s the bass…<\/p>\n
So I have a ways to go, but I have gotten started.<\/p>\n","protected":false},"excerpt":{"rendered":"
In recent weeks, I’ve committed myself to utilizing the various composition tools at my disposal, especially this computer. So I’ve been mucking about a lot in an effort to basically duplicate the experience I had with iMovie. While that has … Continue reading