Moldover – great crazy music, innovative packaging

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When my friend Dave and I were younger, after he played a pivotal role in getting me to listen to Gabriel-era Genesis, we would sometimes buy music based solely on production.  you might not know about the band, but if you knew the producer, then you knew that you would hear something compelling.  Brian Eno, Daniel Lanois, Tchad Blake and Mitchell Froom were just a few of the high-level pros from our time – so long ago.  We were arguably elevating form over substance – purchasing a product simply because of its packaging.

Well, Moldover seems to have taken that to the next level.  the technology that was used to make his record is actually embedded in the CD case and he plays it on the train and at shows.

That’s what I call bringing your product to the people.  Talk about interactive.  Play along while you listen!

(h/t tweet from Dream Theater’s Jordan Rudess)

Back to the whole DJ thing – will I ever learn?

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Ah the mix-tape.  Am I still in high school?  College?  Trying desperately to get the attention of a lovely young lady who barely knows I exist?  I know!  A mixtape!  My unaprralleled knowledge of music will instantly win her over and we’ll live happily ever after.  All my fears of rejection will be extinguished even before the auto-reverse mechanism clicks over to the second 45 minutes of aural bliss.

Actually, my ‘mixtape’ fantasy worked once.  A tape I made caused two people to fall madly in love and get married.  The only problem was that I was not one of them.  That’s a story for another time.  But a recent release of crazy cool Brazilian music made me rethink the whole DJ thing, but this time in a slightly different light.  The record is Gilles Peterson – Brazilika, and I guess if I had grown up in the UK, I might have a better of who Gilles Peterson is and why i should care about his music.  It’s amazing to me that there’s a DJ in the UK, over 40 years old, who can release a relevant compilation of music.  Would that happen in this country?  Anyway, the record is great, introduced me to Azymuth, whose early stuff seems vey much ‘up my alley’, and is a nice listen straight through.

But, of course, I got to thinking – ‘I could do that.  Better.’  Of course.  So, the thinkg before was starting with an abstract idea of making everything happen all at once – past-present-future all mixed on to one glorious track.  Looking back on that post from the past, it’s little wonder I didn’t follow-through on the project.  So now, after delighting to the treasures in Mr. Peterson’s vault, I’m thinking of going back to my virtual decks, looking into some of the more obscure corners of my record collection and – mixtape.  Something of a glossy sampler to be released through Blogerantz.  Maybe some post-production and a fancy bit of art, but still really just a mixtape.

Felicia Day – probably a good person for me to keep up with, especially if it were still 2005

Just got finished reading Dorothy’s article about Felicia Day.  Rather than repeat all ther pertinent details to those who are as clueless as I, I’ll just let Dorothy do the talking.  Suffice to say, the girl’s got a web series over which she appears to retain total control.  She has made herself into an internet star.  Is this the model for the new media?  She also blogs and tweets regularly.  So, why not add all of that to my (already extensive) reading list?  It makes sense, because she’s been right about so much in her approach to marketing and entertainment.

If the hope is to see where we are going, other will undoubtedly look to her for a clue.  Shouldn’t I be one of those people?  I don’t know.  I think I’ll just keep lumbering along like a woolly mammoth for a little while.  It may just be that snarky interweb TV episodes aren’t my thing.

As i look to the future, I’m much more interested in these guys and what they do.